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Gratiano Reviewed
28-04-2017

Gratiano by Ross Ericson

Grist To The Mill production performed by Ross Ericson, directed by Michelle Yim

Upstairs @ The Western, Leicester 27 April 2017

Review by: Paul Towers, 27 April 2017

'a bravado monologue.'

For someone who just cannot get their head round Shakespeare's iambic pentameters this production gives a nicely accessible précis of The Merchant of Venice, albeit re-imagined in Mussolini's Italy.

In the original Gratiano is a very minor character, a friend of  Bassanio, the object of  Antonio's unrequited love. Here he has been arrested for his erstwhile friend's murder and, with typical verbal incontinence, blurts out to the Police the full story of Shylock, Bassanio, Antonio and their ultimate day in court.

GratianoIn his cups, Gratiano bemoans his fate in faux Shakespearean verse propped up in a bar. Alternating with this despair we hear the whole sorry tale in modern vernacular as he is interrogated by the Police. This makes the story much more understandable.

Once again Ross Ericson has written and performs a bravado monologue.

An unobtrusive soundtrack of music and effects accurately places us in war-torn Italy and easily signals scene changes along with creative lighting.

This production tours in tandem with The Unknown Soldier, seen at Upstairs at The Western last night. Full details are available at www.gristtheatre.co.uk

 Paul towers: http://ptheatre.blogspot.co.uk/

http://upstairsatthewestern.com/

(Main pic from The Stage)

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